The Evolution Of Web
Design
The definitions of "web" and "design" have
both been somewhat elastic in the last decade or two as both
technology and user expectations have evolved. Some of the
evolution is the slow, gradual kind you don't notice until you
turn around a week, month or year later and go, "Wow, when did
that happen?" Other times, you can almost watch it in real
time, as in 2002 and 2003 when the web began a quick stretch
from personal computers to TVs, cell phones, media players and
even refrigerators (an "ice" idea that got a cool
reception).

For non-technical culture-watchers, it was
another evolving "gee-whiz kind of thing," but for web
professionals it was a phase of growth called "the ubiquitous
web." It leveraged some basic XML capabilities to spread the
virtual goodies around a bit more widely, but really was merely
evolutionary, not revolutionary, as the marketing departments
would describe it. One thing any careful observer would (and
did) note was that it put new demands on the web designer. A
nice layout with a few hyperlinks was not going to do it any
longer.
More and more demands
Fast-forward a few years, into 2005 or 2006, and we enter the
era of "service oriented architecture" and other, similar
buzzwords. The boundaries were extended, followed by a ramping
up of expectations and then the arrival of "loosely coupled
services" and another set of evolutionary ideas. Over the last
three or four years this model has been refined and revised,
but we are still in the era of "customer-centric web
design."
The term pretty much defines itself, or it should, at any rate.
Without trying to pin down the years too precisely, or make the
model seem hard and fast, the evolution of web design can also
be plotted along a path that has led inexorably from a focus on
the companies and their sites to the customers who are visiting
them. The progression went something like this:Company-centric
sites: The first web design model has been called
"brochureware," since the first websites in the early- and
mid-1990s were essentially marketing materials on your screen.
The design effort was sometimes reduced to scanning sell sheets
and sticking them on a page with some links.
Designer-centric (or ego-centric) sites: Once the tools became
available to use the web as a canvas, the artists went hog-wild
and "gussied up" cyberspace to an incredible degree. Like the
early desktop publishing era, there were a few years of
wretched excess before the overdoses tapered off. There is
still some of this going on (actually, there are still
brochureware sites, too) but it's fast dying off.
Technology-centric sites: When a new generation of tools took
the designer past the canvas metaphor to the "whiz-bang arcade"
model with Flash, other animation tools, embedded video and
non-stop music, we saw the rise of the EBOC style ("Everything
and a Bag O' Chips"). Technological rah-rah for its own sake
did get old pretty quickly, which is the best thing one can
probably say about it. At least it led to the last bullet
point:
Customer-centric sites: This is where we are at present, more
or less. This is a good place for design evolution to be,
because as long as the customer is at the center of the design
and the website rationale, service is a key focus and customer
satisfaction will be high. It is incredible to think that this
idea had to evolve all over again on the net after "regular
business" arrived at the model years ago. Then again, the web
was going to "redefine" the need for sales and earnings, too,
remember? Right.
Where we are (for a minute, anyway)
Over the last 15 years or so web design has gone through a
number of phases, driven by various forces in its ever-changing
environment. Web browsers added a slew of features and improved
functionality by a huge amount. The HTML specification matured
from a rigid, structure-bound markup language to a highly
extensible hybrid, while CSS has come to be widely used as a
way to keep structure sequestered from content and happily
ignorant of its presentation.
Not only that, but the design process itself has evolved from a
mostly-art process to a fairly technical one, forcing
art-oriented designers to brush up on their technology and/or
partner with the company "geeks" for coding, SEO, database
integration and other "tech stuff." At the same time, the
marketing and sales professionals have brought their own
insights (and demands) to the design phase, making the artist
more of a ringmaster or coordinator than a freewheeling
illustrator.
The future: What does evolution mean?
Today's corporate websites are there to serve the company's
customers and other users, so the design must be both
personalized and flexible. The changing expectations have
combined with new capabilities to lead corporate sites on the
evolutionary path from text-based to multimedia, static to
dynamic, brochureware to interactivity, fixed to extensible and
broadcasting to two-way conversation. It takes a team to
develop and deploy a successful website, from writers and
code-heads to marketing pros and, yes, graphic designers.
We don't know quite what business websites will look like in,
say, 2013, but we do know that evolution doesn't stand still.
Web design will continue to expand its definition, evolve in
its complex environment and change in ways both predictable and
unforeseen—just like it's been doing since Day One.
By:
G Klingsheim
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